header

 

Frequently Asked Questions

 

D/ESAM FAQs

SoundPals FAQs


Q. How do the four D/ESAM mixer models differ from one another?

A. Here are a few important differences:

  • The D/ESAM 230 is a one-piece design; the D/ESAM 820 and 8000 are comprised of a control panel and separate rack mounting electronics frame.
  • The D/ESAM 230 accepts a maximum of 24 inputs; the 820, 56; and the 8000, 96. The D/ESAM 230 and 820 are four bus mixers; the D/ESAM 8000 is an eight bus mixer.
  • All models except the D/ESAM 230 have a floppy disk drive for offline register storage and software updates.

Q. What features of the D/ESAM mixers make them especially suitable for audio-for-video editing?

A. All D/ESAM mixers utilize a program/preset architecture, just like a video production switcher. So editors can manage audio transitions the same way they manage video transitions, greatly enhancing productivity in the edit suite. Also, all mixer functions may be controlled via a serial data port using the industry standard ESAM II or advanced D/ESAM IV protocols.

Q. Can the D/ESAM mixers be used for applications other than video editing?

A. Yes. They can and have been used in program presentation (master control) applications where the program/preset architecture and serial control are extremely useful. They can also be used for general purpose audio mixing, although they lack some features -- such as microphone preamps --that are often required in such applications.

Q. Which edit controller manufacturers support the ESAM II and D/ESAM IV protocols?

A. The ESAM II protocol is supported by virtually all edit controller manufacturers including:

Abekas, Accom/Axial, Ampex ACE, CMX, Calaway, Editware, ETC, Grass Valley, Paltex, Panasonic and Sony. The D/ESAM IV protocol is supported by Accom/Axial and Editware.

Q. What advanced capabilities does the D/ESAM IV protocol provide?

A. In addition to all of the capabilities of the ESAM II protocol, D/ESAM IV provides the following:

  • Logical machine assignments can be changed by the edit controller.
  • Monitor settings, including monitor levels, can be changed by the edit controller.
  • A Buttons command which makes it possible for the edit controller to "press" any sequence of mixer control panel buttons during an edit interval.
  • More flexible register transfers between the mixer and edit controller.
  • Fader ramping allows smooth dissolves to be made from one fader setting to another.
  • A special set of commands to support program presentation (master control) applications.

top


SoundPals FAQs

Q. What are SoundPals?

A. SoundPals is a family of self contained modules for digital audio conversion, signal processing, distribution and test.

Q. How are SoundPals modules packaged?

A. All SoundPals modules are housed in a rugged, compact (5.2"W x 1.62"H x 6.625"D) aluminum alloy enclosure. They are finished in a durable powder coat paint.

Q. How are SoundPals modules powered?

A. All SoundPals modules require a 6 volt DC power source. Current draw varies from module to module over a range of 150 -- 750 mA. A mating power connector with locking ring is supplied with every SoundPals module. Optional wall mount and pre-regulated power supplies are available from Graham-Patten.

Q. Can SoundPals modules be battery powered?

A. Yes. Any 6 volt battery capable of delivering sufficient current may be used. Battery power systems suitable for use with SoundPals are available from Eco-Charge (www.eco-charge.com).

Q. Can SoundPals modules be rack mounted?

A. Yes. The model RT-2 rack tray can be used to mount up to three SoundPals modules in only 1RU. The RT-2 includes a single power supply with provisions for a second (backup) supply. The RT-2 is mounted on rack slides to facilitate access to module wiring after the tray has been installed.

top

Q. How many different modules are there in the SoundPals series?

A. Currently, there are 18 basic SoundPals modules:

Eight channel AES to ADAT converter Datasheet User Manual
Eight channel ADAT to AES converter Datasheet User Manual
Two channel 24-bit A/D converter Datasheet User Manual
•ADLY-4A AES Audio Delay (Balanced) Datasheet User Manual
•ADLY-4B AES Audio Delay (Unbalanced) Datasheet User Manual
AEDM-4 SD AES Audio De-embedder Datasheet User Manual
AEDM-4 HD AES Audio De-embedder Datasheet User Manual
ASDM-4 HD/SDI auto-detect de-embedder to 4 AES audio streams, both balanced and unbalanced Datasheet User Manual
ASDM-8 HD/SDI auto-detect de-embedder to 8 channels of analog audio output Datasheet User Manual
Four output AES distribution amplifier Datasheet User Manual
Two channel 24-bit D/A converter Datasheet User Manual
Two channel digital fader Datasheet User Manual
Two channel 24-bit mic preamp Datasheet User Manual

Four channel digital combiner

Datasheet User Manual
Digital test generator Datasheet User Manual
•HDDM-8 High definition eight channel audio de-embedder Datasheet User Manual
•SDDM-8 SDI Audio De-embedder Datasheet User Manual
Video-referenced AES/word clock generator Datasheet User Manual  

Many of these modules are available in multiple configurations. Consult the SoundPals section of this web site for details.

Q. What format is used for the digital I/O on SoundPals modules?

A. Both the AES3 balanced and AES3id unbalanced I/O formats are supported across the SoundPals product line. Most modules support both types in a single version. The more I/O intensive modules (DA-14, ADAT-3, ADAT-4, and DMIX-41) are available with either AES3 or AES3id I/O.

top

Graham-Patten Systems, Inc.
(888) 622-4747
(530) 477-2984
Email:info@isis-group.com
6-08